PRLog (Press Release) - Sep 03, 2011 - Adobe Premiere Pro CS5.5 software offers breakthrough performance for video production, enabling you to work dramatically faster thanks to the revolutionary native 64-bit, GPU-accelerated Adobe Mercury Playback Engine. Work natively with the video formats you want and accelerate production from scriptwriting to editing, encoding, and final delivery.
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Tap the power of tapeless workflows-- Save time with industry-leading native tapeless workflows, which eliminate transcoding and rewrapping, while preserving the pristine quality of your footage. Capture and log footage from virtually any camera--including tapeless cameras--with Adobe OnLocation CS5. Work better with other NLEs--Import and export Apple Final Cut Pro and Avid projects in Adobe Premiere Pro so you can explore new possibilities with After Effects, Photoshop, and other Adobe software, bringing timesaving integration between Adobe tools to projects created in these other NLEs. Move faster from script to screen--Move from script to screen faster with Adobe Story, a new Adobe CS Live online service that integrates with Adobe Premiere Pro. Import scripts from Adobe Story to create shot lists, align scripts to footage and produce rough cuts, and then optimize video to create engaging online experiences. Flexible, precise, and reliable editing tools
Edit the way you want with widely accepted, customizable NLE shortcuts and powerful, intuitive trimming and editing tools that give you more precision and control. Boost productivity with dual-system sound support and enhanced project exchange with Final Cut Pro and Avid software.
Get amazing performance from the Adobe Mercury Playback Engine on both desktops and laptops (Windows and Mac OS). Natively 64 bit and optimized for modern CPUs, Mercury delivers astounding performance with or without GPU acceleration.
Output your work for computers, smartphones, tablets, and television with Adobe Media Encoder CS5.5. Use intuitive presets and contextual menus to set up sequences once for multiple formats, and batch encode while you keep editing.
Get a fast, flexible roundtrip audio workflow with Adobe Audition CS5.5 software. Pass individual audio clips and multitrack mixes or complete video sequences between Adobe Premiere Pro CS5.5 and Adobe Audition for editing and sweetening.
Accelerate your editing workflow by directly importing Adobe Story scripts, complete with metadata, into Adobe Premiere Pro CS5.5. Eliminate hours of routine work using Speech Search and other metadata to quickly find footage.
Play back and display 608 and 708 closed captions, synced to your video sequence and viewable in the Program Monitor.
Preview Canon XF footage in the Media Browser panel and utilize camera metadata throughout your preproduction and post-production workflows. Spanned clips are displayed as a single asset in the Media Browser, reducing clutter.
Collaborate more easily thanks to enhanced integration with Final Cut Pro and Avid Media Composer, and with Adobe CS Review, a separate CS Live online service1,2. Save time by background encoding files for CS Review using new presets in Adobe Media Encoder.
Work natively with RED footage, with support for RED Rocket, Mysterium X, and the latest Color Science and Firmware for RED ONE cameras. The Source Settings dialog box gives you full control over RED parameters and allows RMD files to be imported and exported.
Edit up to 5K footage shot from RED EPIC cameras without transcoding or rewrapping, and access RED parameters directly from the enhanced Source Settings dialog box. The EPIC importer plug-in will be available soon as a download from Adobe Labs.
Easily create subclips that match audio and video from separate sources. The Merge Clips feature supports dual-system sound by allowing high-quality audio to be synced with video shot on a separate device, such as a DSLR or RED camera.
Save time and encode content more easily by using Adobe Media Encoder CS5.5 presets that help ensure your video looks great on widely used output formats and devices, including mobile devices and HDTV.
Drag and drop sequences from Adobe Premiere Pro and compositions from After Effects directly into Adobe Media Encoder CS5.5, which can then encode them immediately. This saves many steps compared with Adobe Media Encoder CS5.
Set up Adobe Media Encoder CS5.5 to watch a folder. Automatically encode files arriving in the folder to a format you specify. Multiple watch folders can encode to different formats and to the same destination folder.
Take advantage of a clearer user interface, new presets, and new contextual menus that improve your Adobe Media Encoder workflow. Expand Queue items to check formats, progress, and encoding settings. Monitor job status in the new Watch Folders section.
Automatically encode still images as a video sequence. When you import a numbered series of still images into Adobe Media Encoder CS5.5, it intelligently recognizes them as stills and offers to encode them as one video sequence.
Hear alerts when Adobe Media Encoder finishes jobs in the background, so you can keep working without having to watch the queue. Different sounds indicate whether jobs have been completed successfully or with errors.
Correct issues caused by mismatched media, media with varying types of alpha channels, and more with GPU-accelerated effects that compensate for differences in frame rate, field order, and pixel aspect ratio.
Create high-quality slow motion or fast motion and play clips backwards using GPU-accelerated time remapping, speed change, and backwards effects.
Easily modify the properties of clips using GPU-accelerated effects that give you control over frame rate, aspect ratio, field order, alpha channels, and pulldown removal.
Eliminate unwanted interlacing artifacts with GPU-accelerated effects that give you control over field order, interlacing, deinterlacing, and flicker removal.
Transition between clips using Additive Dissolve to add the color information from clip B to clip A, and then subtract the color inf best rc helicopter buy sell market place ormation of clip A from clip B. Get a film-like transition with F remote control helicopter ilm Dissolve.
Quickly add blur to large areas of your clips using GPU-accelerated Fast Blur, create the illusion of motion using Directional Blur, and see the results in real time thanks to GPU acceleration.
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